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Nicki Minaj Refuses to Perform “Starships” at New Year’s Eve Party

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Nicki Minaj rang in the New Year with a lively performance at a packed Miami club, but a video clip from the night has sparked attention. In the footage, her DJ attempts to cue up her 2010 hit “Starships,” a track she has performed numerous times live. However, Nicki surprises the crowd by vetoing the song, declaring, “I don’t perform that song no more,” and swiftly moving on to another track. The video circulated online, drawing varied reactions.

Fan Support for Nicki’s Decision

Fans came to Nicki’s defense in the comments section of an Instagram repost of the video. The top comment highlighted that Nicki had previously expressed her disinterest in performing “Starships.” The rapper’s candid refusal resonated with supporters, acknowledging her right to evolve and change her preferences over time.

Nicki Minaj’s Latest Album Success

In December, Nicki Minaj dropped her highly-anticipated album, “Pink Friday 2,” marking her return to the music scene after a five-year hiatus since 2018’s “Queen.” The album boasts an extensive 22 tracks and over 70 minutes of material, featuring collaborations with heavyweights like Drake, Future, Lil Wayne, Lil Uzi Vert, and J. Cole. Despite its commercial success, Nicki remains actively engaged in promoting the album.

Nicki’s Vigilance in Album Sales

Nicki Minaj, ever the advocate for her work, recently clapped back at online critics while highlighting the album’s impressive Spotify numbers. In a Twitter video, she exposed a hater hiding physical copies of “Pink Friday 2” in stores, a move aimed at making it more challenging for genuine fans to purchase the album.

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Share your thoughts on the video of Nicki Minaj refusing to perform “Starships” at her New Year’s Eve performance and let us know your thoughts in the comments below.

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21 Savage Unveils New Look, Drawing Comparisons to Don King, Amid Controversy

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21 Savage has surprised fans with a dramatic new look that appears to pay homage to the iconic boxing promoter Don King. However, reactions to the rapper’s transformation have been mixed, with some struggling to appreciate his vision.

In an Instagram post shared on Monday (February 19), the “Bank Account” artist showcased a bold new appearance, accompanied by a wide grin, likening himself to Don King in the caption. Notably, 21 Savage seemed to have abandoned his trademark locs, a departure from his usual style — although he has experimented with different looks in the past.

While some fans appreciated 21 Savage’s daring change, others couldn’t resist poking fun at his transformation. One fan humorously posted a GIF of Sideshow Bob from The Simpsons, while another jokingly inquired about the whereabouts of his bonnet, a reference to a common hair accessory. Another fan playfully referenced a recent controversy involving Adin Ross, teasing, “me after scamming adin ross.”

Setting aside the Don King-inspired appearance, 21 Savage has been embroiled in controversy following a purported “scam” involving Adin Ross, which gained traction after the rapper’s subsequent launch of dice and card decks.

The controversy initially erupted when 21 Savage allegedly attempted to defraud Ross of $120,000 during a high-stakes card game on the streamer’s platform. Ross raised concerns after discovering marked cards used during the game, leading to speculation about foul play.

Subsequently, the rapper’s official website began selling branded dice and card decks, prompting speculation that the entire controversy may have been a calculated marketing ploy. Fans theorized that the feud with Ross was orchestrated to bolster 21 Savage’s image and generate publicity for his new merchandise.

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While the specifics of the controversy remain subject to speculation, it underscores the blurred lines between authenticity and marketing tactics in today’s entertainment landscape. As fans continue to dissect the events, 21 Savage’s bold new look and the accompanying controversy have undoubtedly sparked conversations across social media platforms.

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Kanye West and Ty Dolla $ign Plan “Vultures” Listening Experience in Paris

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Kanye West and Ty Dolla $ign are set to captivate fans in France with an exclusive “listening experience” for their collaborative project, “Vultures,” scheduled for later this week in Paris.

Taking place on Sunday (February 25) at the Accor Arena, the event promises an immersive encounter with the highly-anticipated album.

Tickets for the Paris event are currently available for purchase through the arena’s website, offering fans a chance to be among the first to hear the new music.

This event follows two previous listening experiences held in Italy, with sessions in Milan and Bologna leading up to the Paris showcase. Tickets for the Italian events can be acquired through the respective venues.

In October 2023, speculation arose regarding a potential performance by Kanye West at the RCF Arena in Reggio Emilia, Italy, organized by Italian promoter Vivo Concerti. However, the event was never officially confirmed.

Interestingly, Kanye and Ty Dolla $ign have ties to Italy beyond their upcoming listening experiences. Both artists collaborated with a group of Inter Milan super fans on “Vultures 1,” featuring the Curva Nord Milano fan group as backing vocalists on tracks like “Stars” and “Carnival.”

Yet, “Vultures 1” has faced its share of controversies. Recently, the album encountered issues when the track “Good (Don’t Die)” was removed from Spotify due to a sampling dispute involving Donna Summer’s 1977 disco hit “I Feel Love.”

The drama extended to the album’s distribution, as it was temporarily removed from Apple Music following a complaint from its distributor, FUGA. However, a new distribution agreement was swiftly reached with Label Engine, facilitating the album’s return to streaming platforms.

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In response to the challenges, Kanye West urged fans on Instagram to purchase the album directly from his website, Yeezy.com, emphasizing his dedication to sharing his music despite setbacks.

Amidst these hurdles, the estate of Donna Summer expressed dissatisfaction with Kanye West and Ty Dolla $ign’s alleged unauthorized use of “I Feel Love” in “Vultures 1,” citing copyright infringement concerns.

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Beyoncé Makes History as First Black Woman to Top Billboard’s Hot Country Songs Chart

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Beyoncé has shattered records yet again, becoming the first Black woman to claim the No. 1 spot on Billboard’s Hot Country Songs chart with her latest single, “Texas Hold ’Em.”

The groundbreaking achievement was announced by Billboard on Tuesday (February 20), alongside the revelation that another track from Beyoncé’s surprise drop, “16 Carriages,” debuted at No. 9 on the same chart.

Both songs were released unexpectedly on February 11, following their announcement during a Verizon commercial aired during Super Bowl LVIII. Beyoncé also disclosed that these tracks would feature on her upcoming album, Renaissance: Act II, slated for release on March 29.

The surprise release confirmed speculations among fans about Beyoncé’s venture into country music, fueled by hints such as her country-inspired attire at the 2024 Grammy Awards and lyrics from her 2019 single “Black Parade,” where she sings, “I’m going back to the South, where my roots ain’t watered down,” hinting at a country direction for Act II.

While Beyoncé’s camp has neither confirmed nor denied the trilogy rumors, there had been prior indications that the original Renaissance album was part of a larger narrative arc.

Days after their release, “Texas Hold Em” made history as Beyoncé’s inaugural entry on Billboard’s Country Airplay chart, debuting at No. 54 with 1.1 million in audience via 100 stations at the format in the tracking week ending February 15.

Billboard’s data is drawn from around 150 country music stations across the United States, as surveyed by Mediabase.

“We immediately added it [in] a sub-power rotation, which is where we put top-trending new music,” remarked Bo Matthews, program director at KBAY San Jose. “I want people to hear it. One of the biggest artists in the world delivered a great country record for us to have fun with, and the song is really good.

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“We are in the business of creating excitement for our listeners, and I’m embracing the moment. Plus, there is plenty of room for great artists, even from other genres. It’s a big country tent,” Matthews added, highlighting the genre’s evolving inclusivity.

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2Pac Murder Suspect Keefe D’s Trial Delayed, New Trial Date Set

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he trial for Keefe D, a suspect in the murder of 2Pac, has been postponed, pushing the proceedings back by several months.

As reported by ABC 13 in Las Vegas on Tuesday (February 20), Keefe D’s new attorney, Carl “E.G.” Arnold, requested the delay, citing the need for additional time to review the discovery materials related to the case.

Originally slated to commence on June 3, the trial is now rescheduled for November 4, following Arnold’s plea for an extension.

During a hearing on Tuesday, Arnold expressed confidence in his client’s eventual acquittal, stating, “He’s upbeat that he can possibly get out of here real soon.” Arnold emphasized the necessity for the prosecution to present evidence regarding the alleged firearm, vehicle, and Keefe D’s whereabouts in Las Vegas at the time of the incident.

Last month, Keefe D opted to replace his public defenders with Arnold, a Howard University School of Law graduate recognized in the legal community for his expertise, having been named to the National Trial Lawyers Top 100.

Regarding bail, the presiding judge set a $750,000 cash bond in early January. Additionally, the judge ruled that if Keefe D can meet the bail requirement, he may be placed under house arrest, provided he wears an ankle monitor.

Earlier, Keefe D’s court-appointed attorneys had appealed for leniency, citing his poor health and assuring that he posed no flight risk. They had hoped for a bail amount not exceeding $100,000, considering his financial constraints.

Although Nevada permits capital punishment, prosecutors have indicated that they will not pursue the death penalty in Keefe D’s case if he is found guilty.

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