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Kevin Hart Expands Lawsuit Against Tasha K, Adds Yelen Entertainment LLC as Defendant

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In an ongoing legal battle, Kevin Hart has extended his lawsuit against Tasha K, incorporating Yelen Entertainment LLC as an additional defendant. The comedian initially filed the lawsuit against Tasha K, accusing her of extortion after she conducted an interview with Miesha Shakes, his former assistant, making damaging allegations about Hart’s personal life. The lawsuit claimed that Tasha K’s team demanded $250K to refrain from releasing the interview.

Now, Hart has introduced Yelen Entertainment LLC to the suit, alleging that Tasha K’s husband, Cheickna Kebe, owns the company. According to Hart’s legal team, Yelen Entertainment is deemed “responsible for content [Tasha] publishes.” Hart contends that Yelen Entertainment is a “successor entity to Kebe Studios,” a company previously owned by Tasha K before her legal dispute with Cardi B. The comedian asserts that the establishment of Yelen Entertainment was an attempt to “evade financial liabilities.”

Within the legal documents, Hart’s team claims that both Yelen and Kebe were “merely shell entities” and “shams” of one another. They allege that Tasha K treated Kebe Studios and Yelen as her personal property, using them to conceal her activities, suit her convenience, and avoid obligations and liabilities. The accusations include dominating, controlling, and operating Kebe Studios and Yelen for personal gain while evading owed monetary and non-monetary responsibilities to others.

As the legal drama unfolds, Kevin Hart seeks to address alleged extortion and financial evasion by including Yelen Entertainment LLC in his lawsuit against Tasha K. Share your thoughts on these legal developments in the comments below.

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Nicki Minaj Reflects on Bond with Barbz, Teases Pink Friday 2 World Tour

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Nicki Minaj has always cherished the strong connection she shares with her devoted Barbz fanbase, and she recently offered insights into their unwavering loyalty and support since their inception in 2009.

In a tweet shared on Tuesday (February 20), the Queens rapper affectionately acknowledged the lengths her fans would go to defend her, emphasizing that they are more than just admirers – they are family.

“I be tryna tell y’all nobody is exempt. #ACGI ANYBODY CAN GET IT,” she began. “It don’t matter WHO start it, the barbz ALWAYS finish it. I been doin this shit for a long time now & every-time I ever tried to warn ppl that the barbz are different, they had to learn the hard way.”

Minaj then shared some valuable lessons she has learned about the Barbz over the years, highlighting their unwavering loyalty, resilience, and playful spirit. She underscored their ability to support her while engaging in friendly banter and playful retaliation against detractors.

Ahead of her Pink Friday 2 World Tour, set to commence in Oakland, California on March 1, 2024, Minaj has been busy preparing for the highly anticipated live performances. The North American leg of the tour, featuring Monica, will traverse major cities across the country, promising an electrifying experience for fans.

In addition to Monica, Minaj has expressed interest in having comedian Katt Williams join the tour. During an Instagram Live session, she reached out to her Barbz to gauge their support for bringing Williams on board, highlighting his comedic prowess and potential contribution to the tour’s entertainment value.

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As anticipation builds for the Pink Friday 2 World Tour, fans eagerly await further announcements regarding the tour lineup and any potential surprises Minaj has in store for her loyal Barbz.

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21 Savage Unveils New Look, Drawing Comparisons to Don King, Amid Controversy

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21 Savage has surprised fans with a dramatic new look that appears to pay homage to the iconic boxing promoter Don King. However, reactions to the rapper’s transformation have been mixed, with some struggling to appreciate his vision.

In an Instagram post shared on Monday (February 19), the “Bank Account” artist showcased a bold new appearance, accompanied by a wide grin, likening himself to Don King in the caption. Notably, 21 Savage seemed to have abandoned his trademark locs, a departure from his usual style — although he has experimented with different looks in the past.

While some fans appreciated 21 Savage’s daring change, others couldn’t resist poking fun at his transformation. One fan humorously posted a GIF of Sideshow Bob from The Simpsons, while another jokingly inquired about the whereabouts of his bonnet, a reference to a common hair accessory. Another fan playfully referenced a recent controversy involving Adin Ross, teasing, “me after scamming adin ross.”

Setting aside the Don King-inspired appearance, 21 Savage has been embroiled in controversy following a purported “scam” involving Adin Ross, which gained traction after the rapper’s subsequent launch of dice and card decks.

The controversy initially erupted when 21 Savage allegedly attempted to defraud Ross of $120,000 during a high-stakes card game on the streamer’s platform. Ross raised concerns after discovering marked cards used during the game, leading to speculation about foul play.

Subsequently, the rapper’s official website began selling branded dice and card decks, prompting speculation that the entire controversy may have been a calculated marketing ploy. Fans theorized that the feud with Ross was orchestrated to bolster 21 Savage’s image and generate publicity for his new merchandise.

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While the specifics of the controversy remain subject to speculation, it underscores the blurred lines between authenticity and marketing tactics in today’s entertainment landscape. As fans continue to dissect the events, 21 Savage’s bold new look and the accompanying controversy have undoubtedly sparked conversations across social media platforms.

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Kanye West and Ty Dolla $ign Plan “Vultures” Listening Experience in Paris

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Kanye West and Ty Dolla $ign are set to captivate fans in France with an exclusive “listening experience” for their collaborative project, “Vultures,” scheduled for later this week in Paris.

Taking place on Sunday (February 25) at the Accor Arena, the event promises an immersive encounter with the highly-anticipated album.

Tickets for the Paris event are currently available for purchase through the arena’s website, offering fans a chance to be among the first to hear the new music.

This event follows two previous listening experiences held in Italy, with sessions in Milan and Bologna leading up to the Paris showcase. Tickets for the Italian events can be acquired through the respective venues.

In October 2023, speculation arose regarding a potential performance by Kanye West at the RCF Arena in Reggio Emilia, Italy, organized by Italian promoter Vivo Concerti. However, the event was never officially confirmed.

Interestingly, Kanye and Ty Dolla $ign have ties to Italy beyond their upcoming listening experiences. Both artists collaborated with a group of Inter Milan super fans on “Vultures 1,” featuring the Curva Nord Milano fan group as backing vocalists on tracks like “Stars” and “Carnival.”

Yet, “Vultures 1” has faced its share of controversies. Recently, the album encountered issues when the track “Good (Don’t Die)” was removed from Spotify due to a sampling dispute involving Donna Summer’s 1977 disco hit “I Feel Love.”

The drama extended to the album’s distribution, as it was temporarily removed from Apple Music following a complaint from its distributor, FUGA. However, a new distribution agreement was swiftly reached with Label Engine, facilitating the album’s return to streaming platforms.

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In response to the challenges, Kanye West urged fans on Instagram to purchase the album directly from his website, Yeezy.com, emphasizing his dedication to sharing his music despite setbacks.

Amidst these hurdles, the estate of Donna Summer expressed dissatisfaction with Kanye West and Ty Dolla $ign’s alleged unauthorized use of “I Feel Love” in “Vultures 1,” citing copyright infringement concerns.

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Beyoncé Makes History as First Black Woman to Top Billboard’s Hot Country Songs Chart

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Beyoncé has shattered records yet again, becoming the first Black woman to claim the No. 1 spot on Billboard’s Hot Country Songs chart with her latest single, “Texas Hold ’Em.”

The groundbreaking achievement was announced by Billboard on Tuesday (February 20), alongside the revelation that another track from Beyoncé’s surprise drop, “16 Carriages,” debuted at No. 9 on the same chart.

Both songs were released unexpectedly on February 11, following their announcement during a Verizon commercial aired during Super Bowl LVIII. Beyoncé also disclosed that these tracks would feature on her upcoming album, Renaissance: Act II, slated for release on March 29.

The surprise release confirmed speculations among fans about Beyoncé’s venture into country music, fueled by hints such as her country-inspired attire at the 2024 Grammy Awards and lyrics from her 2019 single “Black Parade,” where she sings, “I’m going back to the South, where my roots ain’t watered down,” hinting at a country direction for Act II.

While Beyoncé’s camp has neither confirmed nor denied the trilogy rumors, there had been prior indications that the original Renaissance album was part of a larger narrative arc.

Days after their release, “Texas Hold Em” made history as Beyoncé’s inaugural entry on Billboard’s Country Airplay chart, debuting at No. 54 with 1.1 million in audience via 100 stations at the format in the tracking week ending February 15.

Billboard’s data is drawn from around 150 country music stations across the United States, as surveyed by Mediabase.

“We immediately added it [in] a sub-power rotation, which is where we put top-trending new music,” remarked Bo Matthews, program director at KBAY San Jose. “I want people to hear it. One of the biggest artists in the world delivered a great country record for us to have fun with, and the song is really good.

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“We are in the business of creating excitement for our listeners, and I’m embracing the moment. Plus, there is plenty of room for great artists, even from other genres. It’s a big country tent,” Matthews added, highlighting the genre’s evolving inclusivity.

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